17 Essential and Irresistible Romantic Novels

Here are just a few books to read this Valentine’s Day. I know some  of you may be holed up alone tonight, and I hope these give you the hope to find happiness and love in the near and distant future. The novels are not all above the professorial brow of high literature, but they will all hopefully do what literature does best–give you perspective on one of life’s most difficult mysteries.

Thomas Hardy – Tess of the D’Urbervilles

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The love story of two English ruralites captures is both idyllic and tragic, but Hardy paints two genuine characters who find love in spite of a number of social and geographical obstacles. Think Austen with far less dinner parties.

Ernest Hemingway – A Farewell to Arms

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A novel that brings out the best and worst of Hemingway’s stoic prose is also, admittedly, a great love story. Fred, an ambulance driver fighting in Italy during the First World War, falls in love with Catherine, a nurse who tends his wounds after a battlefield injury. Great for a relaxing Saturday.

John Green – Looking for Alaska

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John Green is arguably the king of the YA genre, but that doesn’t stop him from depicting young love at its best and worst. A young man called Miles who seeks adventure at a rural boarding school and finds Alaska Young, a manic teenage girl who will change his life forever.

Roland Barthes – A Lover’s Discourse: Fragments

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In Barthes typical meta style, A Lover’s Discourse breaks down the mysteries of love into a set of terms, invoking enough literature and theory to be a grad student’s wet dream. Recommended for the kind of partner who will analyze your love poems to death.

Nicole Krauss – The History of Love

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Love comes all shapes and sizes, but for bibliophiles, the line between person-love and book-love can sometimes blur. Krauss’ novel is about the devotion for an imperfect book that was once thought lost. The History of Love resurfaces the magic of being a young, stalwart poet in love


Michael Chabon – Mysteries of Pittsburgh

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Before HBO’s Looking brought the queer romance to the mainstream, Michael Chabon wrote Mysteries of Pittsburgh, a novel that combines Chabon’s sharp plotting with a tale of young love set around a family of Jewish criminals.

Jane Austen – Emma

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They didn’t need to remake this novel into Clueless to remind us that it’s one of the great love stories of the English language. Over two hundred years ago, Austen wrote what most self-indulgent romances these days lack. Sharp, witty, and hilarious, Emma uses the lofty English countryside to teach us all about the universal rules of love.


Susan Sontag – The Volcano Lover

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When Sontag wasn’t adding to her prolific repertoire of critical essays, she dabbled in romance, notably, the historical romance. Set in Naples during the 18th century, the novel is about the wife of a British diplomat and her relationship with Admiral Lord Nelson, hero of the Napoleonic wars. A smart a detailed entry into a distant past.

John Fowles – The French Lieutenant’s Woman

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What word better describes the pains and pleasures of love than ‘postmodernism’? Fowles novel about the forbidden relationship between a Darwinian intellectual and a woman exiled by adultery. Unlike most love stories, Fowles does not spoonfeed us a simple plot, but rather leaves us guess to the end and beyond.

Francoise Sagan – Bonjour Tristesse

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If anyone is looking for an ideal French romance, skip over your pharmacy’s Parisian section of Harlequin paperbacks and read this, a short but punchy foray into young love in coastal French. Sagan, who wrote this when she was only 18, remains true to the blueprints of her youth.

Michael Ondaatje – In The Skin of a Lion

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Set in Toronto during its bloom into a major city, Ondaatje captures the poetic mystique of the town with fluid and lyrical descriptions of a bygone era. It’s also a love story, as Patrick Lewis, the main character, falls in love while searching for the infamous Ambrose Small.

Ravinder Singh – I Too Had a Love Story

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A modern love story about falling in love and losing it, Singh’s novel is an easy read but a rather emotional work. Like Sagan’s novel, it captures young love in all its simplicity and complexity.

Yasunari Kawabata – Snow Country

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A love story between an older man and a Geisha in a small town in Northern Japan is great for those who like to reflect deeply on the nature of love. Filled with uncertainty and a rich, detailed landscape, Kawabata’s novel is the love story for the all-too serious thinkers.

Ha Jin – Waiting

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“Every summer Lin Kong returned to Goose Village to divorce his wife, Shuyu” , begins Jin’s story about love within the Chinese military. Richly crafted, the novel’s alluring sentences draw us in as intently as love itself.

Amor Towles – Rules of Civility

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About the daughter of a Russian immigrant who falls in love with a man named Tinker Grey (no relation, we hope), Rules of Civility is a fresh take on the classic, Manhattan love story. Towles combines the zeitgeist of the late 30’s with a keen eye for romance and nostalgia.

Gabriel Garcia Marquez – Love in the Time of Cholera

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Marquez’s floral prose and magical realist style emerge in this historical take on the challenges of falling in love in Colombia’s gorgeous but disease-ridden port cities. The novel takes a really good look at the heroism of loving beyond all circumstances, no matter how difficult they may be.

Margaret Mitchell – Gone With the Wind

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The great love story of the Antebellum south is as gripping a read as it is on the big screen. The love story of Scarlett and Rhett during the Civil War is a story about the conflicts between love and ambition, and how one may so easily fail the other. Great for a long winter break.

Have a Happy Valentine’s Day. Please share and post your favorite love stories in our comments section.

Phil James is the founder of qwikit, and is currently a Master’s Candidate the Berkeley School of Journalism

Qwiklit’s Guide to 20th Century Poetry

The twentieth century changed literature in ways many could never imagine. Everything from literature, to theater and, of course, poetry, shifted from traditional forms to newer, challenging methods of expression.

The list below looks at some of the most powerful voices to have emerged during the tumultuous century. While it barely scratches the surface of the depth of poetic movements and styles introduced during the century, the list will explore how these poets pioneered a number of different movements, and became voices for the marginalized, the lost and, well, the eccentric.

Let me know in the comments if you believe there are any glaring omissions. The list is, admittedly, centered around mostly English-speaking poets, but it doesn’t mean that their work should be regarded as “better” than others. Poetry is not a competition, and nor is it a hierarchical institution. My only hope is that some of the new discoveries you make while reading this will affect you on a personal level. During a century where much of the world saw huge declines in religion, it is uplifting to know that poetry can still provide us with a spiritual experience.

I want to look at how these poets became voices of modernity, something that defined the highs and lows of the century.

1. Thomas Hardy (1840-1928)

 Thomas Hardy

And as the smart ship grew

In stature, grace, and hue,

In shadowy silent distance grew the Iceberg too.

Alien they seemed to be;

No mortal eye could see

The intimate welding of their later history,

– “The Convergence of the Twain”

Who are they?

Perhaps the first major poet of the 20th century, Hardy was born near Dorchester in 1840, and during the 19th century, enjoyed success as one of great novelists of the Victorian Era. At the turn of the century, he shifted from novels to poetry, which some critics regard as the first signs of a shift in English poetry.

His Poetry:

Unlike the rural, natural settings of his novels, Hardy’s poetry shifted towards the inexorable forces of modernity emerging in England. Although his form is tightly structured, his descriptions of the sinking of the Titanic (above) and his foreshadowing of the First World War in “Channel Firing” are testaments to a bleak world that Yeats and Eliot will explore in greater detail

2. William Butler Yeats (1865-1939)

 WB Yeats

Turning and turning in the widening gyre

The falcon cannot hear the falconer;

Things fall apart; the centre cannot hold;

Mere anarchy is loosed upon the world

– “The Second Coming”

Who are they?:

Irish modernist poet who wrote on a number of different topics, including Greek and Irish mythology, Irish emancipation, and–as the example above shows us–the dangers of modernity. A mad genius, his work shifted from pastoral sketches to a unique vision of history and the world.

Their Poetry:

While many of his concepts were quite complex, Yeats insisted on writing with a particular amount of simplicity. He once said that “I tried to make the language of poetry coincide with that of passionate, normal speech.” Many of poems would invoke old myths, but they would be expressed with certain skepticism and ambiguity.

3. Paul Valery (1871-1945)

Paul Valery

Sure treasure, simple shrine to intelligence,

Palpable calm, visible reticence,

Proud-lidded water, Eye wherein there wells

Under a film of fire such depth of sleep —

O silence! . . . Mansion in my soul, you slope

Of gold, roof of a myriad golden tiles.

– “The Graveyard by the Sea”

Who are they?

Born on the French Riviera and eventually moving to Montpellier and Paris, Valery wrote much of his work at a very young age, yet revised it almost twenty years later after undergoing a lengthy existential crisis. Known as one of the last great symbolist poets, he was heavily influenced by fellow Frenchmen André Gide and Stéphane Mallarmé.

His Poetry:

While one of the key characteristics of symbolist poetry was the intensity of inspiration behind the work, Valery moved away from this pseudo-mysticism and chose rather to create tightly-wound works separated from his own creative process. He brought a level of formal sophistication to symbolist verse.

4. Robert Frost (1874-1963)

 Robert Frost

What brought the kindred spider to that height,

Then steered the white moth thither in the night?

What but design of darkness to appall?–

If design govern in a thing so small.

– “Design”

Who are they?

Born in San Francisco, Frost moved to Massachussetts after his father died. After studying at Harvard for two years, Frost briefly attempted farming in New England, but instead chose to move to England to mingle within literary circles. He eventually settled at Amherst College, where he was the poet-in-residence.

His Poetry:

Frost’s poetry is often misinterpreted as overly simplistic or indulgently scenic, but both of these assumptions only scratch its surface. Rather, Frost wants to use daily life as the starting point for deeper discovery. Unlike some of the modernist poets emerging during his career, Frost maintained relatively traditionalist forms in his verse. Frost once said that a poem “begins in delight and ends in wisdom”–perhaps the reason that he is still so popular amongst schoolteachers and their pupils.

5. Wallace Stevens (1879-1955)

 Wallace Stevens

I placed a jar in Tennessee

And round it was, upon a hill.

It made the slovenly wilderness

Surround that hill.

The wilderness rose upon it,

And sprawled around, no longer wild.

– “Anecdote of the Jar”

Who are they?

Born in Pennsylvania, Stevens did not actually pursue a literary career at all. In fact, after graduating from law school in New York, he worked his way up the Hartford Accident and Indemnity company to become their Vice-President in 1934. During this time, he wrote several poetry books, essays and plays.

His Poetry:

Stevens’ poetry is at its core epistemological. Concerned more with retrieving a deeper understanding of the world around him, his work is complex but doubly rewarding. The subject of his poetry is not really what is important; rather, it is the way certain objects can elicit higher forms of understanding in unexpected ways. Stevens teaches us how to use our imagination.

6. William Carlos Williams (1883-1963)

 William Carlos Williams

so much depends


a red wheel


glazed with rain


beside the white


– “The Red Wheelbarrow”

Who are they?

Born in New Jersey, Williams descended from Peurto Rican, French and Basque ancestry. Unlike many of the poets on the list, Williams pursued an education in pediatrics, eventually becoming one of the most distinguished medical professionals in New Jersey. Nevertheless, he wrote poetry for virtually his whole career.

His Poetry:

Although he is today remembered more for his earlier imagist poetry (see: above), Williams would later move away from his bare-boned, economical poetry and explore more postmodern themes in epic poems like Paterson, a testament to his native New Jersey and a masterpiece in poetic measure.

7. Ezra Pound (1885-1972)

 Ezra Pound

The apparition of these faces in the crowd;

petals on a wet, black bough.

– “In a Station of The Metro”

Who are they?

Pound was born in Idaho but soon sought fame across the ocean. Living in London (where he significantly edited T.S. Eliot’s “Waste Land”), Paris and Rome, he became a regular fixture among the modernists and the so-called “Lost Generation”. During the Second World War, he was arrested in Italy by American troops for treason, and was not released until 1958.

His Poetry:

As one of the first writers to write imagist poetry, Pound built much of his earlier reputation upon the objective presentation of images to create an emotional reaction. Eventually, though, his poetry became more erudite, and the Cantos, his lengthy Epic, included references to hundreds of people and texts, some of which still elude scholars today.

8. Fernando Pessoa (1888-1935)

 Fernando Pessoa

I’ve never kept flocks,

But it’s like I’ve kept them.

My soul is like a shepherd,

It knows the wind and the sun

And it walks hand in hand with the Seasons,

Following and seeing.

Who are they?

Born in Portugal and growing up in South Africa, Pessoa is perhaps one of the most eccentric figures on this list. A lifelong learner of everything from classical literature to mysticism and astrology, Pessoa wrote using dozens of different heteronyms–81 to be exact (heteronyms are fictional aliases).

His Poetry:

Influenced by T.S. Eliot, Ezra Pound and Andre Breton, Pessoa adopted many of the emerging modernist techniques of his day while also including the intricate aesthetics of Baudelaire’s symbolist verse. Pessoa was also a proponent of “automatic writing”, an exercise that he believed could make him tap into his unconscious and achieve spiritual transcendence.

9. T.S. Eliot (1888-1965)

 TS Elot

There is shadow under this red rock,

(Come in under the shadow of this red rock),

And I will show you something different from either

Your shadow at morning striding behind you

Or your shadow at evening rising to meet you;

I will show you fear in a handful of dust.

– “The Waste Land”

Who Are They?

Born in St.Louis but eventually moving to England to work as a banker and a teacher, Eliot won the Nobel Prize in 1948 after a long career that included several poetry collections and a play, Murder in the Cathedral. Although The Waste Land and The Hollow Men describe landscapes virtually devoid of the spiritual, he shocked the literary world by converting to Anglicanism in 1927.

His Poetry:

Eliot is perhaps the best-known modernist poet of the day. But what exactly is modernism? while it is difficult to rigidly define the artistic movement, modernism was a series of literary experimentation that attempted to describe the changing world through the modification of basic literary guidelines, such as chronology or form. Poems like “The Waste Land”, for example, splice together various voices and texts to reflect the spiritual desolation of Europe after the First World War.